It began, as so many modern tragedies do, with an explosion no one fully understood at the time. On April 26th, 1986, the Chernobyl nuclear disaster cast a long and invisible shadow across Belarus, leaving behind not just contamination but generations of children facing profound physical and developmental challenges. Out of that shadow grew the Burren Chernobyl Project, an Irish-led charity that has, for decades, provided practical support, respite, and, perhaps most importantly, human connection to those living in institutions like Gorodishche. By the time I found my way into that story, I was, by sheer good fortune, arriving after the hardest ground had already been broken. The doors had been prised open. What remained was no small task, but it was a gentler one: to care, to connect, to bring a bit of lightness into lives that had known far too little of it.
You never quite forget your first day in Gorodishche Orphanage. Not because of anything dramatic, no grand moment, but because of the quiet accumulation of small realities (and the occasional magic moment). The stillness of some rooms, the unexpected laughter from others. The way a place that might sound bleak on paper is, in truth, full of personalities, mischief, affection, and, occasionally, outright divilment.
There were, of course, the young people, and “young people” is a phrase I used loosely, because many were young in years but carried burdens far beyond their age. Some were bedbound, dependent on others for everything. Others, more mobile, had formed their own little societies, complete with hierarchies, friendships, and the odd falling-out that needed diplomatic intervention worthy of the United Nations (the girls affectionately know now as our Spice Girls come to mind!).
And then there were the names, the faces, the people who quietly rearranged your understanding of what matters. These weren’t statistics. They were people; real, complicated, funny, frustrated, resilient people, who just happened to be born into circumstances most of us will never have to navigate.
Our work, when you break it down, was disarmingly simple. We massaged limbs that had known too little movement. We wheeled chairs into the sunshine. We sang songs and clapped along to rhythms that made no sense whatsoever. We played games where the rules changed frequently (to suit anyone but the volunteers), usually because rules didn’t really matter in this world. We celebrated every birthday like they were national holidays.
And there was humour, there had to be humour. You’d find yourself in situations that, if described coldly, would sound unbearably sad; but in the moment, they were anything but. Like trying to organise a “structured activity” only for it to descend into glorious chaos within minutes. Or discovering that your carefully planned afternoon had been completely hijacked by a spontaneous dance session led by someone with far more rhythm than you’d ever possess.
There was the time we convinced ourselves we were running a top-class music programme, only to realise the young people were mostly entertained by watching us make eejits of ourselves. Or the ongoing battle with language barriers, where a combination of hand gestures, facial expressions, and sheer guesswork somehow passed for communication; more often than not, it worked.
If anything, Gorodishche had a way of stripping life back to its essentials. You learned quickly that what mattered wasn’t the efficiency or perfection that was part of my Corporate world. It was presence and connection. It was showing up, day after day, and offering whatever you had; be it patience, energy, or simply the willingness to sit beside someone and let them know they weren’t alone.
And yes, there was progress. Not the kind that makes headlines, but the quieter, more meaningful kind. A young person engaged a little more. A smile that came quicker than it had before. A sense, that life, however briefly, had changed.
Back home (in our "real world"), we spend an awful lot of time chasing things that don’t, in the end, amount to much. Deadlines, upgrades, the next big "whatever it is". Over there, the scale shifts. Success might be getting someone outdoors for ten minutes. Or coaxing a reaction where there had been none. Or simply ending the day knowing that, for a few hours at least, someone felt seen.
It would be easy to frame the whole experience as noble or selfless, but that wouldn’t be entirely honest. Because, in truth, we got as much, if not more, than we gave. There’s a realisation that comes from stepping into a world so different from your own. A reminder that, for all our complaints and minor inconveniences, we are, by and large, extraordinarily fortunate.
Which is why the current reality sits a little heavier than usual. The war in Ukraine has changed everything. Travel is no longer straightforward. Connections that once felt secure are now fragile. Our ability to return, to see those familiar faces, to pick up where we left off has been, for now, taken out of our control.
Gorodishche was never just a place you visited. It became, in its own quiet way, a second home. The people there weren’t projects or causes, they were, and are, family.
So yes, there’s a tinge of sadness to it all. A sense of unfinished conversations, of songs half-sung and games paused mid-play. But if there’s one thing that place teaches you, it’s resilience. The kind that doesn’t make a fuss. The kind that simply waits, patiently, for the next chance. And that chance will come.
Forty years on from a disaster that reshaped so many lives, something unexpected endures: connection, compassion, and a stubborn refusal to let circumstances have the final word.
We’ will be back!. And when we do, it will be with gratitude for those who made it all possible; to Brother Liam O'Meara, to Canon Brendan O'Donoghue (RIP), and to the Burren Chernobyl Project, whose quiet persistence and generosity opened the door for the rest of us to follow.